At the height of the air war in Europe, Captain Joe Farley and the baseball-loving, wisecracking crew of the B-17 Flying Fortress Fata Morgana are in the middle of a harrowing bombing mission over eastern Germany when everything goes sideways. The bombs are still falling and flak is still exploding all around the 20-ton bomber as it is knocked like a bathtub duck into another world.Suddenly stranded with the final outcasts of a desolated world, Captain Farley navigates a maze of treachery and wonder-and finds a love seemingly decreed by fate-as his bomber becomes a pawn in a centuries-old conflict between remnants of advanced but decaying civilizations. Caught among these bitter enemies, a vast power that has brought them here for its own purposes, and a terrifying living weapon bent on their destruction, the crew must use every bit of their formidable inventiveness and courage to survive.Fata Morgana-the epic novel of love and duty at war across the reach of time.

"Decades ago a young rock and blues guitarist and junkie named Niko signed in blood on the dotted line and in return became the stuff of music legend. But when the love of his damned life grows mortally and mysteriously ill he realizes he's lost more than he bargained for--and that wasn t part of the Deal. So Niko sets out on a harrowing journey from the streets of Los Angeles through the downtown subway tunnels and across the redlit plain of the most vividly realized Hell since Dante, to play the gig of his mortgaged life and win back the purloined soul of his lost love..."--Dust jacket flap.

It's been five years since the lights went out, cars stopped in the streets, and magical creatures began roaming Earth. Pete Garey survived the Change, trusting no one but himself until the day he met Ariel'a unicorn who brought new meaning and adventure to his life.

Twenty-seven years ago, technology died. The fundamental laws of the universe had inexplicably changed. Now, Fred Garey's best friend Yan believes he's found a way to reverse the Change. But Fred fears the repercussions of such drastic, irreversible steps.

Parody: The Final Frontier Now you can cruise the most hilarious sector of the space-time continuum, with this collection of twenty Star Trek: The Next Generation episodes not by the leading lights of the Western literary tradition: James Joyce, Ernest Hemingway, Jackie Collins... Steven Boyett transports you into the sort of alternative universes and avid reader or Trekker would love: a Clancy-like realm where the Enterprise crew mobilizes to fix Captain Picard's broken watch a Heller-esque domain where you can only get out of Starfleet if you're crazy--and, if you want to get out of Starfleet, you're clearly not crazy a Collins-ish netherworld where Counselor Demanda Troi sleeps and shops her way around the galaxy a Melvillean place where Moby Trek lies in wait ...and many more. Boldly go where no one has gone before with this stellar combination of high art and high comedy.

Whether featuring tattooed demon hunters, angst-y vampires, supernatural gumshoes, or pixelated pixies, Urban Fantasy mashes up old-school tales with pop culture, creating iconic characters, diverging moralities, and complex settings. Urban fantasy is finally showcased in this star-studded collection, representing all three of its distinct styles, including the playful new mythologies of Charles de Lint, the sexy paranormal romances of Patricia Briggs, and the gritty urban noir of Neil Gaiman.

"With increasingly divergent views and commitments, and an all-or-nothing mindset in political life, it can seem hard to sustain the level of trust in other members of our society necessary to ensure our most basic institutions work. This book features interdisciplinary perspectives on social trust. The contributors address four main topics related to social trust. The first topic is empirical and formal work on norms and institutional trust, especially the relationships between trust and human behaviour. The second topic concerns trust in particular institutions, notably the legal system, scientific community, and law enforcement. Third, the contributors address challenges posed by diversity and oppression in maintaining social trust. Finally, they discuss different forms of trust and social trust. Social Trust will be of interest to researchers in philosophy, political science, economics, law, psychology, and sociology"--

Americans today don't trust each other and their institutions as much as they once did. The collapse of social and political trust has arguably fueled our increasingly ferocious ideological conflicts and hardened partisanship. But is today's decline in trust inevitable or avoidable? Are wecaught in a downward spiral that must end in institutional decay or even civil war, or can we restore trust through our shared social institutions?In Trust in a Polarized Age, political philosopher Kevin Vallier offers a powerful counter-narrative to the prevailing sense of hopelessness that dogs the American political landscape. In an unapologetic defense of liberalism that synthesizes political philosophy and empirical trust research,Vallier restores faith in our power to reduce polarization and rebuild social and political trust. The solution is to strengthen liberal democratic political and economic institutions - high-quality governance, procedural fairness, markets, social welfare programs, freedom of association, anddemocracy. These institutions not only create trust, they do so justly, by recognizing and respecting our basic human rights.Liberal institutions have safeguarded trust through the most tumultuous periods of our history. If we heed the arguments and data in this book, trust could return.

Americans today are far less likely to trust their institutions, and each other, than in decades past. This collapse in social and political trust arguably fuels our increasingly ferocious ideological conflicts and hardened partisanship. Many believe that our previously high levels of trust and bipartisanship were a pleasant anomaly and that we now live under the historic norm. Seen this way, politics itself is nothing more than a power struggle between groups with irreconcilable aims: contemporary American politics is war because political life as such is war. Must Politics Be War? argues that our shared liberal democratic institutions have the unique capacity to sustain social and political trust between diverse persons. In succinct, convincing prose, Kevin Vallier argues that constitutional rights and democratic governance prevent any one ideology or faith from dominating all others, thereby protecting each person's freedom to live according to her values and principles. Illiberal arrangements, where one group's ideology or faith reigns, turn those who disagree into unwilling subversives, persons with little reason to trust their regime or to be trustworthy in obeying it. Liberal arrangements, in contrast, incentivize trust and trustworthiness because they allow people with diverse and divergent ends to act with conviction. Those with opposing viewpoints become trustworthy because they can obey the rules of their society without acting against their ideals. Therefore, as Vallier illuminates, a liberal society is one at moral peace with a politics that is not war.

Exemptions from legal requirements, especially religious exemptions, have been a major topic of political debate in recent years. For example, bakers in various states have sought the right to refuse to make wedding cakes for gay and lesbian couples, despite the Supreme Court's validation ofsame-sex marriage. Many parents are granted exemptions from vaccinating their children, despite public health laws requiring otherwise. Various religious organizations as well as some corporations have sought an exemption from the requirement to provide contraceptive coverage in employee healthcareplans, as required by the Affordable Care Act (ACA). Religious exemptions have a long history in the United States, but they remain controversial. Exemptions release some people from following laws that everyone else must follow, raising questions of fairness, and exemptions often privilegereligious belief, raising concerns about equal treatment. At the same time there are good reasons to support exemptions, such as respect for the right of religious freedom and preventing religious organizations from becoming too closely intertwined with government.The essays in this volume represent valuable contributions to the complex debate about exemptions from legal requirements. In particular, they contribute to the moral dimensions of religious exemptions. These essays go beyond legal analysis about which exemptions are constitutionally appropriate,and ask instead when religious exemptions are morally required or morally prohibited.

Political theory, from antiquity to the present, has been divided over the relationship between the requirements of justice and the limitations of persons and institutions to meet those requirements. Some theorists hold that a theory of justice should be utopian or idealistic--that the derivation of the correct principles of justice should not take into account human and institutional limitations. Others insist on a realist or non-utopian view, according to which feasibility--facts about what is possible given human and institutional limitations--is a constraint on principles of justice. In recent years, the relationship between the ideal and the real has become the subject of renewed scholarly interest. This anthology aims to represent the contemporary state of this classic debate. By and large, contributors to the volume deny that the choice between realism and idealism is binary. Rather, there is a continuum between realism and idealism that locates these extremes of each view at opposite poles. The contributors, therefore, tend to occupy middle positions, only leaning in the ideal or non-ideal direction. Together, their contributions not only represent a wide array of attractive positions in the new literature on the topic, but also collectively advance how we understand the difference between idealism and realism itself.

In the eyes of many, liberalism requires the aggressive secularization of social institutions, especially public media and public schools. The unfortunate result is that many Americans have become alienated from the liberal tradition because they believe it threatens their most sacred forms of life. This was not always the case: in American history, the relation between liberalism and religion has often been one of mutual respect and support. In Liberal Politics and Public Faith: Beyond Separation, Kevin Vallier attempts to reestablish mutual respect by developing a liberal political theory that avoids the standard liberal hostility to religious voices in public life. He claims that the dominant form of academic liberalism, public reason liberalism, is far friendlier to religious influences in public life than either its proponents or detractors suppose. The best interpretation of public reason, convergence liberalism, rejects the much-derided "privatization" of religious belief, instead viewing religious contributions to politics as a resource for liberal political institutions. Many books reject privatization, Liberal Politics and Public Faith: Beyond Separation is unique in doing so on liberal grounds.

In response to the intellectual movement of New Atheism, this volume articulates a "New Theist" response that has at its core a desire to engage in productive and depolarizing dialogue.

To ensure this book is of interest to atheists and theists alike, a team of experts in the field of philosophy of religion offer an assessment of the strongest New Atheist arguments. The chapters address the most pertinent questions about God, including politics and morality, and each essay shows how a reflective theist might deal with points raised by the New Atheists.

This volume is a serious academic engagement with the questions asked by New Atheism. As such, it will be of significant interest to scholars working in the philosophy of religion and theology, as well as those engaged in religious studies generally.

"A timely and much needed call to plant, protect, and delight in these diverse, life-giving giants." --David George Haskell, author of The Forest Unseen and The Songs of Trees With Bringing Nature Home, Doug Tallamy changed the conversation about gardening in America. His second book, the New York Times bestseller Nature's Best Hope, urged homeowners to take conservation into their own hands. Now, he is turning his advocacy to one of the most important species of the plant kingdom--the mighty oak tree.   Oaks sustain a complex and fascinating web of wildlife. The Nature of Oaks reveals what is going on in oak trees month by month, highlighting the seasonal cycles of life, death, and renewal. From woodpeckers who collect and store hundreds of acorns for sustenance to the beauty of jewel caterpillars, Tallamy illuminates and celebrates the wonders that occur right in our own backyards. He also shares practical advice about how to plant and care for an oak, along with information about the best oak species for your area. The Nature of Oaks will inspire you to treasure these trees and to act to nurture and protect them.  

From the world's leading forest ecologist who forever changed how people view trees and their connections to one another and to other living things in the forest--a moving, deeply personal journey of discovery Suzanne Simard is a pioneer on the frontier of plant communication and intelligence; she's been compared to Rachel Carson, hailed as a scientist who conveys complex, technical ideas in a way that is dazzling and profound. Her work has influenced filmmakers (the Tree of Souls of James Cameron's Avatar) and her TED talks have been viewed by more than 10 million people worldwide. Now, in her first book, Simard brings us into her world, the intimate world of the trees, in which she brilliantly illuminates the fascinating and vital truths--that trees are not simply the source of timber or pulp, but are a complicated, interdependent circle of life; that forests are social, cooperative creatures connected through underground networks by which trees communicate their vitality and vulnerabilities with communal lives not that different from our own. Simard writes--in inspiring, illuminating, and accessible ways--how trees, living side by side for hundreds of years, have evolved, how they perceive one another, learn and adapt their behaviors, recognize neighbors, and remember the past; how they have agency about the future; elicit warnings and mount defenses, compete and cooperate with one another with sophistication, characteristics ascribed to human intelligence, traits that are the essence of civil societies--and at the center of it all, the Mother Trees: the mysterious, powerful forces that connect and sustain the others that surround them. Simard writes of her own life, born and raised into a logging world in the rainforests of British Columbia, of her days as a child spent cataloging the trees from the forest and how she came to love and respect them--embarking on a journey of discovery, and struggle. And as she writes of her scientific quest, she writes of her own journey--of love and loss, of observation and change, of risk and reward, making us understand how deeply human scientific inquiry exists beyond data and technology, that it is about understanding who we are and our place in the world, and, in writing of her own life, we come to see the true connectedness of the Mother Tree that nurtures the forest in the profound ways that families and human societies do, and how these inseparable bonds enable all our survival.

Forests are restless. Any time a tree dies or a new one sprouts, the forest that includes it has shifted. When new trees sprout in the same direction, the whole forest begins to migrate, sometimes at astonishing rates. Today, however, an array of obstacles--humans felling trees by the billions, invasive pests transported through global trade--threaten to overwhelm these vital movements. Worst of all, the climate is changing faster than ever before, and forests are struggling to keep up.A deft blend of science reporting and travel writing, The Journeys of Trees explores the evolving movements of forests by focusing on five trees: giant sequoia, ash, black spruce, Florida torreya, and Monterey pine. Journalist Zach St. George visits these trees in forests across continents, finding sequoias losing their needles in California, fossil records showing the paths of ancient forests in Alaska, domesticated pines in New Zealand, and tender new sprouts of blight-resistant American chestnuts in New Hampshire. Everywhere he goes, St. George meets lively people on conservation's front lines, from an ecologist studying droughts to an evolutionary evangelist with plans to save a dying species. He treks through the woods with activists, biologists, and foresters, each with their own role to play in the fight for the uncertain future of our environment.An eye-opening investigation into forest migration past and present, The Journeys of Trees examines how we can all help our trees, and our planet, survive and thrive.

The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the controversies?along with the forms of devotion?this central symbol of Christianity inspires. Jesus's death on the cross posed a dilemma for Saint Paul and the early Church fathers. Crucifixion was a humiliating form of execution reserved for slaves and criminals. How could their messiah and savior have been subjected to such an ignominious death? Wrestling with this paradox, they reimagined the cross as a triumphant expression of Christ's sacrificial love and miraculous resurrection. Over time, the symbol's transformation raised myriad doctrinal questions, particularly about the crucifix?the cross with the figure of Christ?and whether it should emphasize Jesus's suffering or his glorification. How should Jesus's body be depicted: alive or dead, naked or dressed? Should it be shown at all? Jensen's wide-ranging study focuses on the cross in painting and literature, the quest for the ?true cross? in Jerusalem, and the symbol's role in conflicts from the Crusades to wars of colonial conquest. The Cross also reveals how Jews and Muslims viewed the most sacred of all Christian emblems and explains its role in public life in the West today.

In recent years, art historians such as Johannes Deckers (Picturing the Bible, 2009) have argued for a significant transition in fourth- and fifth-century images of Jesus following the conversion of Constantine. Broadly speaking, they perceive the image of a peaceful, benevolent shepherd transformed into a powerful, enthroned Jesus, mimicking and mirroring the dominance and authority of the emperor. The powers of church and state are thus conveniently synthesized in such a potent image. This deeply rooted position assumes that ante-pacem images of Jesus were uniformly humble while post-Constantinian images exuded the grandeur of power and glory. The Art of Empire contends that the art and imagery of Late Antiquity merits a more nuanced understanding of the context of the imperial period before and after Constantine. The chapters in this collection each treat an aspect of the relationship between early Christian art and the rituals, practices, or imagery of the Empire, and offer a new and fresh perspective on the development of Christian art in its imperial background.

In-depth, illustrated exploration of how early North African Christians lived out their faith Using a combination of literary and archeological evidence, this in-depth, illustrated book documents the development of Christian practices and doctrine in Roman Africa -- contemporary Libya, Tunisia, Algeria, and Morocco -- from the second century through the Arab conquest in the seventh century. Robin Jensen and Patout Burns, in collaboration with Graeme W. Clarke, Susan T. Stevens, William Tabbernee, and Maureen A. Tilley, skillfully reconstruct the rituals and practices of Christians in the ancient buildings and spaces where those practices were performed. Numerous site drawings and color photographs of the archeological remains illuminate the discussions. This work provides valuable new insights into the church fathers Tertullian, Cyprian, and Augustine. Most significantly, it offers a rich, unprecedented look at early Christian life in Roman Africa, including the development of key rituals and practices such as baptism and eucharist, the election and ordination of leaders, marriage, and burial. In exploring these, Christianity in Roman Africa shows how the early African Christians consistently fought to preserve the holiness of the church amid change and challenge.

What can we learn from early Christian imagery about the theological meaning of baptism? Robin Jensen, a leading scholar of early Christian art and worship, examines multiple dimensions of the early Christian baptismal rite. She explores five models for understanding baptism--as cleansing from sin, sickness, and Satan; as incorporation into the community; as sanctifying and illuminative; as death and regeneration; and as the beginning of the new creation--showing how visual images, poetic language, architectural space, and symbolic actions signify and convey the theological meaning of this ritual practice. Considering image and action together, Jensen offers a holistic and integrated understanding of the power of baptism. The book is illustrated with photos.

This general survey of early Christian baptismal iconography and architecture integrates visual depictions and physical settings of baptism with textual evidence for its practice and purpose. An opening overview of pictorial art (paintings, relief sculpture, mosaics, and ivories) prompts questions about components of the actual ritual which are treated in the literary sources. The study's second half considers selected baptismal structures, examining the symbolism, purpose, and possible meaning of their spatial design and decorative programs. In most instances the synthesis of documentary and material evidence is enriching and complementary. However, even when physical and textual data diverge, their discontinuity demonstrates the variability of ritual performance and the perennial distinction between ideal and actual practice..

Examining how God and eventually Christ are portrayed in early Christian art, Jensen explores questions of the relationship between art and theology, conflicts over idolatry and iconography, and how the Christological controversies affected the portrayals of Christ. Since much of this art comes from ancient Rome, she places her analysis in the context of the history of Roman portraiture. One hundred photographs enhance the discussion.

While the average person rarely sees it, the visual arts play a subtle yet profound role in the teaching and formation of faith, both for individuals and religious communities. The Substance of Things Seen explores the intersection of art and faith, offering thoughtful reflections on the way art functions in Christian life and practice. Highly readable and featuring instructive illustrations, this book is meant to engage church leaders as well as artists in constructive conversation about the critical role that art can play in the renewal of Christian education, worship, and study. It also challenges anyone who thinks the arts are only of marginal importance to the religious life. Robin Jensen considers here a broad range of topics relevant to Christian faith and culture, including the construction of sacred space, the use of art in worship and spiritual formation, the way that visual art interprets sacred texts, and the power and danger of art from a historical and contemporary perspective.

Understanding Early Christian Art is designed for students of both religion and of art history. It makes the critical tools of art historians accessible to students of religion, to help them understand better the visual representations of Christianity. It will also aid art historians in comprehending the complex theology, history and context of Christian art. This interdisciplinary and boundary-breaking approach will enable students in several fields to further their understanding and knowledge of the art of the early Christian era. Understanding Early Christian Art contains over fifty images with parallel text.

Contributors to this volume explore the dynamics of new communications technologies and public policy; from TPRC 2002. The contributors to this volume examine issues raised by the intersection of new communications technologies and public policy in this post-boom, post-bust era. Originally presented at the 30th Research Conference on Communication, Information, and Internet Policy (TPRC 2002)--traditionally a showcase for the best academic research on this topic--their work combines hard data and deep analysis to explore the dynamic interplay between technological development and society.The chapters in the first section consider the ways society conceptualizes new information technologies and their implications for law and policy, examining the common metaphor of "cyberspace as place," alternative definitions of the Internet, the concept of a namespace, and measures of diffusion. The chapters in the second section discuss how technological change may force the rethinking of legal rights; topics considered include spectrum rights, intellectual property, copyright and "paracopyright," and the abridgement of constitutional rights by commercial rights in ISP rules. Chapters in the third and final section examine the constant adjustment and reinterpretation of regulations in response to technological change, considering, among other subjects, liability regimes for common carriers and the 1996 detariffing rule, privacy and enhanced 911, and the residual effect of state ownership on privatized telecommunication carriers. The policy implications of Rethinking Rights and Regulations are clear: major institutional changes may be the necessary response to major advances in telecommunications technology. cs considered include spectrum rights, intellectual property, copyright and "paracopyright," and the abridgement of constitutional rights by commercial rights in ISP rules. Chapters in the third and final section examine the constant adjustment and reinterpretation of regulations in response to technological change, considering, among other subjects, liability regimes for common carriers and the 1996 detariffing rule, privacy and enhanced 911, and the residual effect of state ownership on privatized telecommunication carriers. The policy implications of Rethinking Rights and Regulations are clear: major institutional changes may be the necessary response to major advances in telecommunications technology.cs considered include spectrum rights, intellectual property, copyright and "paracopyright," and the abridgement of constitutional rights by commercial rights in ISP rules. Chapters in the third and final section examine the constant adjustment and reinterpretation of regulations in response to technological change, considering, among other subjects, liability regimes for common carriers and the 1996 detariffing rule, privacy and enhanced 911, and the residual effect of state ownership on privatized telecommunication carriers. The policy implications of Rethinking Rights and Regulations are clear: major institutional changes may be the necessary response to major advances in telecommunications technology.cs considered include spectrum rights, intellectual property, copyright and "paracopyright," and the abridgement of constitutional rights by commercial rights in ISP rules. Chapters in the third and final section examine the constant adjustment and reinterpretation of regulations in response to technological change, considering, among other subjects, liability regimes for common carriers and the 1996 detariffing rule, privacy and enhanced 911, and the residual effect of state ownership on privatized telecommunication carriers. The policy implications of Rethinking Rights and Regulations are clear: major institutional changes may be the necessary response to major advances in telecommunications technology.cal change, considering, among other subjects, liability regimes for common carriers and the 1996 detariffing rule, privacy and enhanced 911, and the residual effect of state ownership on privatized telecommunication carriers. The policy implications of Rethinking Rights and Regulations are clear: major institutional changes may be the necessary response to major advances in telecommunications technology.

Between the late 1970s and the early 1990s the U.S. television industry transformed from a heavily regulated business to a highly competitive one, with new networks, technologies, and markets. Video Economics addresses the major issues affecting competitive advantage in the industry, including sequential program release strategies known as windowing, competition among program producers, the economics of networking, cable television, scheduling strategies, and high definition television (HDTV). The authors present the economic tools required to analyze the industry as they take up each new topic. This book will be of particular interest to students of the mass media, communication policy officials, communication lawyers and consultants, and media and advertising executives.

"Marianne Chan's brilliant debut collection masterfully develops themes of identity and the long-term effects of colonization." --Largehearted Boy All Heathens is a declaration of ownership--of bodies, of histories, of time. Revisiting Magellan's voyage around the world, these poems explore the speaker's Filipino American identity by grappling with her relationship to her family and notions of diaspora, circumnavigation, and discovery. Whether rewriting the origin story of Eve ("I always imagined that the serpent had the legs of a seductive woman in black nylons"), or ruminating on what-should-have-been-said "when the man at the party said he wanted to own a Filipino," Chan paints wry, witty renderings of anecdotal and folkloric histories, while both preserving and unveiling a self-identity that dares any other to try and claim it.

The Republican party is embroiled in a heated and high-stakes battle between its far-right and moderate wings-with conservatives declaring open warfare on the moderates who ask themselves "Whatever happened to the party of Lincoln?" Bearing profound implications not only for the future of the party but also for the future of American politics, this momentous battle will rage on no matter what the outcome of the presidential election. Christine Todd Whitman retired as a member of the Bush administration in June 2003, tired of the ideological battles in Washington and eager to return home to New Jersey. A lifelong and loyal Republican and a leader of the party's moderate wing, she is a passionate believer in the power of the "productive middle" in politics. In the tradition of Democratic Senator Zell Miller's national bestseller A National Party No More, which critiqued the Democratic party's move to the far left, in It's My Party Tooshe offers a passionate and revealing insider's argument against the hijacking of her party by zealous "social fundamentalists." Recounting many stories from the front lines of her own battles, both as a two-term New Jersey governor and on the hot seat as EPA administrator, she takes readers inside the tumultuous world of our politics today to reveal how a moderate approach can work wonders while that of extremists only leads to more division and fewer solutions. Relentlessly pushing their ideological stances on abortion rights, race relations, the environment, tax policy, and go-it-alone foreign policy, the conservative extremists are not only violating traditional Republican principles, she argues, but are also holding the party back from achieving a true majority. By playing so slavishly to the far-right base, running negative campaigns and marginalizing women, the party has forsaken the much broader base that propelled the "Reagan revolution" and has fueled the country's overheated polarization. Writing with the straight-talking and keenly intelligent candor that launched her onto the national stage-and made her such an inspiration to women all around the country-Christie Whitman sounds a rallying cry that will be vital reading for the millions of moderate voters who are fed up with the extremism of both parties. From one of the leading moderates in the Republican party-and one of its most powerful women-a thoughtful and provocative critique of the party's hard turn to the right and a call to arms for a return to its moderate roots.

Speak Now tells the story of a watershed trial that unfolded over twelve tense days in California in 2010. A trial that legalized same-sex marriage in our most populous state. A trial that interrogated the nature of marriage, the political status of gays and lesbians, the ideal circumstances for raising children, and the ability of direct democracy to protect fundamental rights. A trial that stands as the most potent argument for marriage equality this nation has ever seen.

In telling the story of Hollingsworth v. Perry, the groundbreaking federal lawsuit against Proposition 8, Kenji Yoshino has also written a paean to the vanishing civil trial--an oasis of rationality in what is often a decidedly uncivil debate. Above all, this book is a work of deep humanity, in which Yoshino brings abstract legal arguments to life by sharing his own story of finding love, marrying, and having children as a gay man.

Intellectually rigorous and profoundly compassionate, Speak Now is the definitive account of a landmark civil-rights trial.

A Thousand Times More Fair is a highly inventive and provocative exploration of ethics and the law that uses the plays of William Shakespeare as a prism through which to view the nature of justice in our contemporary lives. Celebrated law professor and author Kenji Yoshino delves into ten of the most important works of the Immortal Bard of Avon, offering prescient and thought-provoking discussions of lawyers, property rights, vengeance (legal and otherwise), and restitution that have tremendous significance to the defining events of our times—from the O.J. Simpson trial to Abu Ghraib. Anyone fascinated by important legal and social issues—as well as fans of Shakespeare-centered bestsellers like Will in the World—will find A Thousand Times More Fair an exceptionally rewarding reading experience.

Everyone covers. To cover is to downplay a disfavored trait so as to blend into the mainstream. Because all of us possess stigmatized attributes, we all encounter pressure to cover in our daily lives. Racial minorities are pressed to “act white” by changing their names, languages, or cultural practices. Women are told to “play like men” at work. Gays are asked not to engage in public displays of same-sex affection. The devout are instructed to minimize expressions of faith, and individuals with disabilities are urged to conceal the paraphernalia that permit them to function. Given its pervasiveness, we may experience this pressure to be a simple fact of social life.

Against conventional understanding, Kenji Yoshino argues that the work of American civil rights law will not be complete until it attends to the harms of coerced conformity. Though we have come to some consensus against penalizing people for differences based on race, sex, sexual orientation, religion, and disability, we still routinely deny equal treatment to people who refuse to downplay differences along these lines.

At the same time, Yoshino is responsive to the American exasperation with identity politics, which often seems like an endless parade of groups asking for state and social solicitude. He observes that the ubiquity of covering provides an opportunity to lift civil rights into a higher, more universal register. Since we all experience the covering demand, we can all make common cause around a new civil rights paradigm based on our desire for authenticity—a desire that brings us together rather than driving us apart.

An unforgettable story of four women who, through grit and ingenuity, became stars in the cutthroat, high-stakes, male dominated world of venture capital in Silicon Valley, and helped build some of the foremost companies of our time. In Alpha Girls, award-winning journalist Julian Guthrie takes readers behind the closed doors of venture capital, an industry that transforms economies and shapes how we live. We follow the lives and careers of four women who were largely written out of history - until now. Magdalena Yesil, who arrived in America from Turkey with $43 to her name, would go on to receive her electrical engineering degree from Stanford, found some of the first companies to commercialize internet access, and help Marc Benioff build Salesforce. Mary Jane Elmore went from the corn fields of Indiana to Stanford and on to the storied venture capital firm IVP - where she was one of the first women in the U.S. to make partner - only to be pulled back from the glass ceiling by expectations at home. Theresia Gouw, an overachieving first-generation Asian American from a working-class town, dominated the foosball tables at Brown (she would later reluctantly let Sergey Brin win to help Accel Partners court Google), before she helped land and build companies including Facebook, Trulia, Imperva, and ForeScout. Sonja Hoel, a Southerner who became the first woman investing partner at white-glove Menlo Ventures, invested in McAfee, Hotmail, Acme Packet, and F5 Networks. As her star was still rising at Menlo, a personal crisis would turn her into an activist overnight, inspiring her to found an all-women's investment group and a national nonprofit for girls. These women, juggling work and family, shaped the tech landscape we know today while overcoming unequal pay, actual punches, betrayals, and the sexist attitudes prevalent in Silicon Valley and in male-dominated industries everywhere. Despite the setbacks, they would rise again to rewrite the rules for an industry they love. In Alpha Girls, Guthrie reveals their untold stories.

A New York Times bestseller!  The historic race that reawakened the promise of manned spaceflight A Finalist for the PEN/E. O. Wilson Literary Science Writing Award   Alone in a Spartan black cockpit, test pilot Mike Melvill rocketed toward space. He had eighty seconds to exceed the speed of sound and begin the climb to a target no civilian pilot had ever reached. He might not make it back alive. If he did, he would make history as the world's first commercial astronaut. The spectacle defied reason, the result of a competition dreamed up by entrepreneur Peter Diamandis, whose vision for a new race to space required small teams to do what only the world's largest governments had done before. Peter Diamandis was the son of hardworking immigrants who wanted their science prodigy to make the family proud and become a doctor. But from the age of eight, when he watched Apollo 11 land on the Moon, his singular goal was to get to space. When he realized NASA was winding down manned space flight, Diamandis set out on one of the great entrepreneurial adventure stories of our time. If the government wouldn't send him to space, he would create a private space flight industry himself.   In the 1990s, this idea was the stuff of science fiction. Undaunted, Diamandis found inspiration in an unlikely place: the golden age of aviation. He discovered that Charles Lindbergh made his transatlantic flight to win a $25,000 prize. The flight made Lindbergh the most famous man on earth and galvanized the airline industry. Why, Diamandis thought, couldn't the same be done for space flight?   The story of the bullet-shaped SpaceShipOne, and the other teams in the hunt, is an extraordinary tale of making the impossible possible. It is driven by outsized characters--Burt Rutan, Richard Branson, John Carmack, Paul Allen--and obsessive pursuits. In the end, as Diamandis dreamed, the result wasn't just a victory for one team; it was the foundation for a new industry and a new age.

A Forbes Best Book of the Year: "Must reading for any yacht-racing aficionado." --Frank Deford   The America's Cup, first awarded in 1851, is the oldest trophy in international sports, and one of the most hotly contested. In 2000, Larry Ellison, cofounder and billionaire CEO of Oracle Corporation, decided to run for the coveted prize and found an unlikely partner in Norbert Bajurin, a car radiator mechanic who had recently been named Commodore of the blue collar Golden Gate Yacht Club.   The Billionaire and the Mechanic tells the incredible story of the partnership between Larry and Norbert, their unsuccessful runs for the Cup in 2003 and 2007, and their victory in 2010. With unparalleled access to Ellison and his team, the New York Times-bestselling author of How to Make a Spaceship takes readers inside the design and building process of these astonishing boats, and the management of the passionate athletes who race them. She traces the bitter rivalries between Oracle and its competitors, including Swiss billionaire Ernesto Bertarelli's Team Alinghi--and throws readers into exhilarating races from Australia and New Zealand to Valencia, Spain.   "The Billionaire and the Mechanic opens with a thrilling scene as old as Homer's 'Odyssey' and as iconic as ones from Conrad, Melville, Hemingway and Sebastian Junger: a man battling a dangerously stormy sea. That the sailor, Larry Ellison, is one of our contemporary captains of industry, the swashbuckling billionaire of the title . . . only heightens the drama." --San Francisco Chronicle

With the global adoption of the green revolution in the 1970s; the long historical legacy of agricultures boom and bust cycle seemedfinallyto be put on hold. It appeared as though the apocalyptic nightmare of famine had been vanquished. However, now, man-made climate change poses a new and immediate crisisfrom Syria to South Sudanhow do we feed the 10 billion people likely to inhabit the plant by 2050? How do we continue to feed, sustainably, the 7.5 billion of us that are already here? How do we do so in a climate that is becoming increasing hostile to food security?

This book explores the history of agriculture, and the threat that climate change imposes for all aspects of our daily bread. While these challenges are severe and significant, it argues that we are not without hope, and offers a wide range of solutions, from polyculture farming to feminism that can, when applied, lead to a better future for humankind.

Take a drive through the Mississippi Delta today and you'll find a landscape dotted with memorials to major figures and events from the civil rights movement. Perhaps the most chilling are those devoted to the murder of Emmett Till, a tragedy of hate and injustice that became a beacon in the fight for racial equality. The ways this event is remembered have been fraught from the beginning, revealing currents of controversy, patronage, and racism lurking just behind the placid facades of historical markers. In Remembering Emmett Till, Dave Tell gives us five accounts of the commemoration of this infamous crime. In a development no one could have foreseen, Till's murder--one of the darkest moments in the region's history--has become an economic driver for the Delta. Historical tourism has transformed seemingly innocuous places like bridges, boat landings, gas stations, and riverbeds into sites of racial politics, reminders of the still-unsettled question of how best to remember the victim of this heinous crime. Tell builds an insightful and persuasive case for how these memorials have altered the Delta's physical and cultural landscape, drawing potent connections between the dawn of the civil rights era and our own moment of renewed fire for racial justice.  

Confessional Crises and Cultural Politics in Twentieth-Century America revolutionizes how we think about confession and its ubiquitous place in American culture. It argues that the sheer act of labeling a text a confession has become one of the most powerful, and most overlooked, forms of intervening in American cultural politics. In the twentieth century alone, the genre of confession has profoundly shaped (and been shaped by) six of America’s most intractable cultural issues: sexuality, class, race, violence, religion, and democracy.

Late in the Empire of Men, Kempf's powerful debut collection, reads the author's coming-of-age in Ohio and California against the westward trajectory of American history, a trajectory he simultaneously situates in the larger context of empire--both political and anthropocentric--by looking back to Rome and Carthage and by glancing forward to a time when, as he writes in the poem "Dominion," "the idea of people/is over." Employing a baroque layering of image and allusion, patterned sonic texturing, and post-narrative self-consciousness, Kempf reveals how commonplace rhetorical practices--football's valorization of a "warrior ethos," for example--work to conscript young American men, in particular, into patterns of thought and behavior constitutive of an imperialist state.

Based on two years living and researching in Gettysburg, Pennsylvania, What Though the Field Be Lost uses the battlefield there as a way to engage ongoing issues involving race, regional identity, and the ethics of memory.

With empathy and humility, Kempf reveals the overlapping planes of historical past and public present, integrating archival material―language from monuments, soldiers' letters, eyewitness accounts of the battle―with reflection on present-day social and political unrest. Here monument protests, police shootings, and heated battle reenactments expose the ambivalences and evasions involved in the consolidation of national (and nationalist) identity. In What Though the Field Be Lost, Kempf shows that, though the Civil War may be over, the field at Gettysburg and all that it stands for remain sharply contested.

Shuttling between past and present, the personal and the public, What Though the Field Be Lost examines the many pasts that inhere, now and forever, in the places we occupy.

Poem entitled, "Tolstoy and God"

"To love is to act"-- "Aimer, c'est agir."  These words, which Victor Hugo wrote three days before he died, epitomize his life's philosophy. His love of freedom, democracy, and all people--especially the poor and wretched--drove him not only to write his epic Les Misérables but also to follow his conscience. We have much to learn from Hugo, who battled for justice, lobbied against slavery and the death penalty, and fought for the rights of women and children. In a series of essays that interweave Hugo's life with Les Misérables and point to the novel's contemporary relevance, To Love Is to Act explores how Hugo reveals his guiding principles for life, including his belief in the redemptive power of love and forgiveness. Enriching the book are insights from artists who captured the novel's heart in the famed musical, Les Mis creators Alain Boublil and Claude-Michel Schönberg,  producer of the musical Les Misérables Cameron Mackintosh, film director Tom Hooper, and award-winning actors who have portrayed Jean Valjean: Colm Wilkinson and Hugh Jackman. 

Victor Hugo on Things That Matter gives English speakers the social, historical, cultural, and biographical context that is essential for enjoying the writing and art of this genius of nineteenth-century France. The book’s topical organization lets readers investigate Hugo’s ideas about private and personal concerns—love, children, grief, nature, God—as well as public and politically important issues—liberty and democracy, tyranny, social justice, humanity, peace, and war.

Unlike other Hugo anthologies, Victor Hugo on Things That Matter offers introductions and notes in English and includes twenty-five of Hugo’s watercolors and drawings. Readers will find key Hugo texts in the original French, along with the following supplemental information in English: an overview of Hugo’s importance and his private and public personas; introductions to each chapter; historical and cultural explanatory notes; a time line of Hugo’s life and work; suggestions for further reading.

The Politics of Transindividuality re-examines social relations and subjectivity through the concept of transindividuality. Transindividuality is understood as the mutual constitution of individuality and collectivity, and as such it intersects with politics and economics, philosophical speculation and political practice. While the term transindividuality is drawn from the work of Gilbert Simondon, this book views it broadly, examining such canonical figures as Spinoza, Hegel, and Marx, as well as contemporary debates involving Etienne Balibar, Bernard Stiegler, and Paolo Virno. Through these intersecting aspects and interpretations of transindividuality the book proposes to examine anew the intersection of politics and economics through their mutual constitution of affects, imagination, and subjectivity.

Re-reads Marx in light of the contemporary critical interrogation of subjectivity. What is the relation between the economy, or the mode of production, and culture, beliefs, and desires? How is it possible to think of these relations without reducing one to the other, or effacing one for the sake of the other? To answer these questions. The Micro-Politics of Capital re-reads Marx in light of the contemporary critical interrogations of subjectivity in the works of Althusser, Deleuze, Guattari, Foucault, and Negri. Jason Read suggests that what characterizes contemporary capitalism is the intimate intersection of the production of commodities with the production of desire, beliefs, and knowledge.

From 1972 to 1976, Hollywood made an unprecedented number of films targeted at black audiences. But following this era known as "blaxploitation," the momentum suddenly reversed for black filmmakers, and a large void separates the end of blaxploitation from the black film explosion that followed the arrival of Spike Lee's She's Gotta Have It in 1986. Illuminating an overlooked era in African American film history, Trying to Get Over is the first in-depth study of black directors working during the decade between 1977 and 1986. Keith Corson provides a fresh definition of blaxploitation, lays out a concrete reason for its end, and explains the major gap in African American representation during the years that followed. He focuses primarily on the work of eight directors--Michael Schultz, Sidney Poitier, Jamaa Fanaka, Fred Williamson, Gilbert Moses, Stan Lathan, Richard Pryor, and Prince--who were the only black directors making commercially distributed films in the decade following the blaxploitation cycle. Using the careers of each director and the twenty-four films they produced during this time to tell a larger story about Hollywood and the shifting dialogue about race, power, and access, Corson shows how these directors are a key part of the continuum of African American cinema and how they have shaped popular culture over the past quarter century.

Today, politicians and intellectuals warn that we face a crisis of civility and a veritable war of words polluting our public sphere. In liberal democracies committed to tolerating diversity as well as active, often heated disagreement, the loss of this conversational virtue appears critical. But is civility really a virtue? Or is it, as critics claim, a covert demand for conformity that silences dissent? Mere Civility sheds light on our predicament and the impasse between ?civilitarians? and their opponents by examining early modern debates about religious toleration. As concerns about uncivil disagreement achieved new prominence after the Reformation, seventeenth-century figures as different as Roger Williams, Thomas Hobbes, and John Locke could agree that some restraint on the war of words would be necessary. But they recognized that the prosecution of incivility was often difficult to distinguish from persecution. In their efforts to reconcile diversity with disagreement, they developed competing conceptions of civility as the social bond of tolerant societies that still resonate. Most modern appeals to civility follow either Hobbes or Locke by proposing to suppress disagreement or exclude persons and positions deemed ?uncivil? for the sake of social concord. Compared with his contemporaries' more robust ideals, Williams's unabashedly mere civility?a minimal, occasionally contemptuous adherence to culturally contingent rules of respectful behavior?is easily overlooked. Yet Teresa Bejan argues that Williams offers a promising path forward in confronting our own crisis of civility, one that fundamentally challenges our assumptions about what a tolerant?and civil?society should look like.

A nonfiction investigation into masculinity, For The Love of Men provides actionable steps for how to be a man in the modern world, while also exploring how being a man in the world has evolved. In 2019, traditional masculinity is both rewarded and sanctioned. Men grow up being told that boys don't cry and dolls are for girls (a newer phenomenon than you might realize--gendered toys came back in vogue as recently as the 80s). They learn they must hide their feelings and anxieties, that their masculinity must constantly be proven. They must be the breadwinners, they must be the romantic pursuers. This hasn't been good for the culture at large: 99% of school shooters are male; men in fraternities are 300% (!) more likely to commit rape; a woman serving in uniform has a higher likelihood of being assaulted by a fellow soldier than to be killed by enemy fire. In For the Love of Men, Liz offers a smart, insightful, and deeply-researched guide for what we're all going to do about toxic masculinity. For both women looking to guide the men in their lives and men who want to do better and just don't know how, For the Love of Men will lead the conversation on men's issues in a society where so much is changing, but gender roles have remained strangely stagnant. What are we going to do about men? Liz Plank has the answer. And it has the possibility to change the world for men and women alike.